EMPIRE OF DREAMS
On the first page of my dreambook
It’s always evening
In an occupied country.
Hour before the curfew.
A small provincial city.
The houses all dark.
The storefronts gutted.
I am on a street corner
Where I shouldn’t be.
Alone and coatless
I have gone out to look
For a black dog who answers to my whistle.
I have a kind of Halloween mask
Which I am afraid to put on.
- Charles Simic
These few lines of poetry perfectly capture a nightmare, a disturbing and recurring sleep dream. First Simic gives us the setting, muted violence and destruction, isolation. Then he lays out the plot. The dreamer gone out to find a dog on the streets, holding a Halloween mask that he is afraid to put on.
This poem is a powerful recording of a nightmare. It acts upon us, the readers, as discomfittingly as would a nightmare of our own. It leaves us uncomfortable and unsure.
While this nightmare comes from Mr. Simic, as a work of art, and as the sharing of a dream, it belongs to each of us to interact with as we will. The significance of any dream is what we make of it.
What does this dream evoke in each of us? What uncomfortable questions come up for us? Are we faced with wearing the mask of “normalcy” in order to survive a dangerous situation? Do we need to put it on, or throw it away? Where in our lives are we unable to, or unwilling to, put on the mask of conformity to violence? Where do we feel isolated on a dangerous street corner? What do we need to do to find safety?
The key to creating meaning is to interact with the dream (or work of art, or any life event) and fearlessly become aware of what its message is for us, one that can be different for each of us.
Then comes the hard part – to manifest the change in our lives that the nightmare indicates is needed.